Memory Wire Bracelet
Throughout the bangle bracelet category, traits run the gamut, encompassing everything from thick to skinny and every dimension in between. Nonetheless, it is not simply about the dimension of the bracelet. It is additionally in regards to the colour, the texture and the design. In case you love skinny bangle bracelets, then attempt a brand new tackle this basic by incorporating interlocking bracelets in different hued metals. For example, strive rose gold, silver and yellow gold intertwined bracelets for a phenomenal on a regular basis look. Or, look for bracelet units that use thick and skinny complimentary designs. Choose a set that has an fascinating predominant design paired with smaller daintier wire thin bracelets. It will create a terrific sense of balance.
 1763JU BULK Bracelet Mix Memory Wire Glass Seed Bead Beaded 6 Qty  US $12.99
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 Memory wire Bracelet Lg Beadalon Remembrance 1 oz US $5.74
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 100 Loops Memory Wire for Beading Bracelet Bangle 60mm US $4.59
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Choosing The Right Stringing Material For Your Jewellery Creations
Choosing The Right Stringing Material For Your Jewellery Creations
Elastic
– is the perfect choice for stretchy jewellery, as it’s inexpensive and ideal for children’s jewellery made with a single strand projects without the need for clasps. It is easily knotted or crimped and pretty strong, although if stretched too far, will lose its elasticity. Always cut off more than is required for your project, as you will need the extra length, in which to double knot, to ensure it does not come undone. It’s soft to work with and the clear variety is the best to use, as it can be used with light or dark beads. Elastic is pretty strong, so experiment with various types and sizes. The only downside, is that working with elastic, you will have to check the beads for sharp edges, as it could eventually cut through .... other than this, a great inexpensive stringing material which can come in various sizes, EG 0.5mm, 0.8mm, 1.0mm – The smaller the size, the more beads you will be able to use, the larger the size, the stranger the elastic will be.
Silkon - is a special heat-set nylon. Because of its exceptional durability and resistance to fraying, it can be used with abrasive stone or metal beads. Use lightweight thread for designs using small gem beads & freshwater pearls. Use medium-weight thread for plastic, glass and wood beads. Use heavyweight thread for gemstone, metal and larger glass beads.
Tigertail – is miniature braided stainless steel cable covered with nylon, this beading wire is excellent with heavier necklaces. Tigertail beading wire should be used with crimp beads. No beading needle is required. This wire is relatively flexible but is prone to kinking, which will be evident in your jewellery. Good for most use of beads as the nylon coating is useful when your bead edges are rough, as it prevents wear on the stainless steel wire inside the coating, giving your pieces a longer life.
Faux Suede Cord - Microfiber suede lace. Very soft to work with. Try this newest lacing on the market; this man-made material is ultra soft, providing incredible comfort and drape. Comes is various thicknesses, it washes easily in warm soapy water. Use for every lacing and stringing application. A great option for stringing pendants and the suede can be tied in a knot with a focal piece in place, making this a piece that can be worked quickly and inexpensively. Cord ends can also be placed at the end, to give a more professional finish to your pieces.
Monofilament – is naturally waterproof and resists 100% of the sun's damaging ultraviolet radiation. It's 10 times stronger than steel, with superior abrasion resistance. A great starter material, to start stringing with, this single strand nylon thread, similar to fishing line is an inexpensive product which is very strong and a worthwhile addition to your kit. As it is inexpensive, you can make up mock designs with minimum costs, before moving onto a more permanent material. Monofilament is generally clear coloured and can be used in the making of ‘illusion’ or ‘floating’ designs, making the string almost invisible and is probably the biggest use of this stringing material. Monofilament can shrink or crack over time, which can be evident in older, vintage pieces of jewellery, maybe as a reaction with oils from the skin etc. Rough beads may also work through, so better to double up if the thickness allows. Monofilament can also be knotted or crimped and this can be backed up with a dab of hypo cement to add extra strength to your pieces.
Rattail – Is the thickest satin cord and measures around 2mm with a lovely soft, satin feel. This man-made product is a good inexpensive cord for stringing pendants, such as dichroics or donuts and comes in an array of colours and knotted to finish off your piece. Can also be finished with cord ends for a more professional finish. Dab the ends into PVA glue and let it dry, then when the ends are stiff enough, attach your cord ends with an extra dot of glue for extra strength. Other variants of this are Mousetail (1.5mm) and bugtail (1.0mm)
Chain – again comes in various sizes. Chain is usually more expensive than some of the other stringing materials, but can also be quite versatile. 2mm cable chain can be used to create your own chains to hang lockets or smaller pendants onto. Can also be cut into small lengths to create dangles for a great effect. Larger style chain (Eg 11x6mm) can be used for bag charms, charm bracelets etc, as it is chunky enough to hang dangles, charms from it, to create great looking beaded products.
Memory Wire – is very worthwhile experimenting with, as it’s basically a coil of ultra strong tempered stainless steel, to make some really quick jewellery designs. Finishing off memory wire is simple, by turning a loop at your first end to prevent beads from falling off and then doing the same at the other end of the memory wire, once your design has been completed. Charms can then be hung from the loops to finish off your designs. Cutting the wire can be quite difficult due to it’s strength and will blunt a normal pair of cutters, therefore we recommend using memory wire cutters, or get two pairs of flat nose pliers and bend back and forth at the point you want, until the wire snaps in two. Memory wire is easy to use, with fast and effective results.
About the Author
Bedazzle Beads are a UK supplier of great value jewellery making supplies, sourcing the best products from around the world.
For more details, visit: http://www.bedazzlebeads.co.uk
Make Money Repairing Jewelry
A lot of bead jewelry and custom jewelry makers work around the clock putting together custom pieces, coming up with new jewelry ideas and hunting for new supplies and materials to use in the inevitable next piece.
Making jewelry is a fun hobby and it can be very rewarding, but it can also drain your creativity if you're making a lot of jewelry and it can even become tedious if you've come up with a wonderful idea but have to spend a lot of time lining up beads, joining links or making lots of similar custom pieces, whether its metal-working or glass lampwork beads that you're making.
There is, however, a way to avoid jewelry making burn out and make some extra money while using your jewelry making skills: jewelry repair!
Repairing existing jewelry uses your jewelry making skills as well as some new creative processes you may not have normally used. Instead of making a necklace or bracelet from scratch, you generally need to take an existing pattern and find beads or pieces to replace missing pieces or at least ones that compliment the current piece.
Repairing jewelry also requires much less investment in raw materials and supplies on your part. Creating a piece of bead jewelry may involve over a pieces, including the beads, wire, clasps and pendants involved. When repairing a piece of jewelry you generally have most of the parts and may online need in new stringing material, a new clasp or a few replacement beads. You can often charge just as much to repair a piece of jewelry as you would to make it, so repairing jewelry is much more profitable from the outset.
Here are some more general tips to remember when repair jewelry for customers:
Don't be afraid to get a little creative, especially if you have to fill in missing beads or pieces, but check with the customer first. Some people want their jewelry to be repaired to the exact look it had before, some don't mine minor bead or clasp changes.
Matching pieces to older jewelry is often next to impossible. You have a better chance of finding replacement beads or pieces that are similar, though sometimes matching the color of certain gemstones can be a frustrating endeavor.
Keep an eye out for structural weaknesses in old jewelry pieces. Even though a clasp may not be broken, you may want to suggest replacing it if it old and worn out.
Don't be afraid to advertise your service and price yourself as though you're making a new piece. Not many people advertise jewelry repair as a service. Lots of women have jewelry pieces tucked away in jewelry boxes or drawers that are broken or in bad repair.
Don't be afraid to price yourself accordingly. Often times you're repairing a piece of jewelry that holds special meaning or is a particular favorite of your customer. You're providing a service of not just fixing a piece of jewelry, but often you're helping restore a memory or feeling!
Finally, remember to have fun with it! Both repairing and making jewelry are lots of fun and can be pretty profitable, but it's up to you to find the right balance to keep you happy and making money at the same time.
About the Author
Visit the Bead Jewelry Blog to get more jewelry making ideas, news, trends, tutorials and beading business advice.
Tags: beads, bracelet, jewelry, memory, memory wire bracelet, memory wire bracelet designs, memory wire bracelet ideas, memory wire bracelet instructions, memory wire bracelet patterns, memory wire bracelets, Most Popular, wire
